[Anime] Fate/Stay Night: Unlimited Blade Works – Winter Days, A Long Way Home (S2E10)

UBW Season 2It is the calm before the storm as we approach the tail end of the second and final season of Fate/ Stay Night: Unlimited Blade Works. This is an episode of anticipation more than anything else – there are no jaw-dropping revelations, no slick actions sequences and no philosophical musings. Instead, there’s an almost nostalgic throwback to what the audience might consider the good ol’ days when Shirou, Rin and Saber were less allies in a war and more just a bunch of kids hanging out and being young. The episode isn’t quite that idyllic, but it is a quiet episode nonetheless, easily one of the most uneventful in this season but not necessarily in a bad way.  This prelude to the series’ finale spends a good amount of time on Shirou, Rin and their relationship as well as giving some sort of half-hearted closure to Saber’s character. Shirou gets the equivalent of a level-up from Rin which requires an intimate, somewhat awkward ritual between them while Gilgamesh continues his preparations for the Grail’s summoning. Since there isn’t a whole lot to talk about, we’ll spend some time this week talking about how the dynamic between Shirou and Rin has (or has not) changed over the course of the series and just what we can expect from the last two episodes of the series.

Before we jump into either point though, let’s talk about one of the most underutilized characters of the series – Saber. Now, I am aware of just why she has remained on the margins of this particular adaptation but if this series is to be considered on its own merits, then, to some extent at least, the deficiencies in the source material need to be addressed as well. Thus far, Saber has not received nearly the level of detailed characterization that Shirou, Archer or even Rin have – in fact, for the most part, it feels that her role in this particular arm of the story has been to swing her sword and support Shirou. In itself, that isn’t particularly problematic – after all, that is the essence of a Servant’s role. However, when Servants like Caster, Assassin and even Lancer receive better characterization than someone who has been on the protagonist’s side since the first episode, the distinction becomes particularly glaring. This is not to say that Saber has been totally passive in this series – she has had her own, occasionally differing opinion on numerous occasions and even if it hasn’t particularly emphasized, she does have a personality of her own. However, it’s abundantly clear that Saber and her views have not received nearly the kind of elaborate explanation that Archer and his received, and again, I do understand the reasons for it, but I would be remiss in not mentioning it as a weakness of the adaptation. On the whole, it feels like Ufotable has been uncertain about just what Saber’s role in this part of the story is; do they follow the visual novel entirely and abandon her or do they try to salvage what they can? Honestly, either alternative would have been acceptable but by trying to do both, the director and the studio have left their audience in an odd limbo. On one hand, we heard literally nothing of Saber’s story for the majority of the first half of the series. There were no allusions to any deeper character tensions within her, for example, and while it was clearly established that she had a colourful history of her own, it wasn’t until very recently that the series decided that that story was worth getting into. By suddenly cramming her story, or a Cliffnotes version of it at least, into the last few episodes, it feels like her story isn’t getting the attention it deserves and as a direct result, her thanking Shirou this episode for helping her find her answer feels rather hollow and out of place. She does seem more content than she was before, true – we get a moment where she looks at the shed she was summoned in and smiles, perhaps an indication of her gratitude to Shirou for helping her make peace with herself. It’s just that it’s a moment that would have been better if we knew more of what exactly troubled her.

Of course, the meat of this week’s episode is Shirou and Rin. It’s a little nostalgic thinking about their dynamic in the first season, from Rin’s incredulity at Shirou’s ignorance to the increasingly the belligerent sexual tension between them. Both aspects of that dynamic pretty much come to a head here – Rin is still annoyed by what she considers Shirou’s stupidity but there is a much more obvious fondness to her words now than before. It’s been pretty clear over the course of the series in general and this season in particular, that Rin’s come to realize what kind of person Shirou is and has developed a respect for him that she didn’t have before.  All of that culminates in their odd, vaguely sexual ritual in which Rin transfers a portion of her magic crest to Shirou, all in an effort to prepare him for the fight of his life. That Rin, who we know is proud of her magical heritage, is willing to share that heritage with an amateur like Shirou isn’t just a sign of her affection for him; it’s also a tangible indication of her faith in him and the respect she has for him. Look at it like this – Saber’s qualifications to face Gilgamesh alone were questioned (and her outrage was adorable), despite her facing him before, but Shirou’s were not, at least not to nearly the same extent that should have been, proportionally speaking. It’s likely that Rin has some reservations about betting on Shirou but the fact that she wagered on him at all is a clear sign of just how far they have come as a couple even if they don’t realize that they are one. To be specific, they both seem to be aware of their feelings for each other but, for now, only Shirou is comfortable verbalizing it – Rin still insists on maintaining plausible deniability even though her own memories prove that she has at least been aware of Shirou’s existence for a while.  In the end however, there is no clearer sign of the strength of their bond than the fact that their little ritual, which depended in part at least, on the strength of the bond between them, went off absolutely perfectly.

So, where does that leave us? It comes as absolutely no surprise that Shirou is the one who everyone is relying on to beat Gilgamesh – Archer pretty much explicitly said so last week and thematically speaking, it makes perfect sense too. Gilgamesh, a Servant who has proven that he can walk the talk, facing off against someone who has struggled to find just how he turn his dreams into reality, sets up this great contrast between what is ‘real’ and what is ‘fake’. However, all of that aside, this episode does raise some questions. The first is Rin and Shirou’s short ode to Archer. It is somewhat understandable that Shirou sympathizes with the man – apart from their shared history, Archer shielded Shirou from Gilgamesh’s volley and not to beat on a dead horse, but Shirou has been known to be prone to survivor’s guilt. However, Archer betrayed Rin, let Shinji carry her off, potentially to her death no less, and didn’t exactly apologize or explain his actions either. Her loyalty to him is admirable but seems more than a little misplaced. The other fishy point here is just how Shirou has been able to go from an absolute amateur fighter, at the series’ beginning, to someone even remotely capable to challenging a Servant like Gilgamesh in such a short time frame. The likely explanation, of course, is that Shirou was able to sap some experience and knowledge from Archer during their fight. Still, it doesn’t really feel like Shirou has earned his newfound know-how just yet. Regardless, it seems that the final fight will come down to Rin, Shirou and Saber versus Gilgamesh but you have to wonder whether they even really stand a chance. Rin doesn’t seem like she would be much use and even with his projection ability, Shirou isn’t nearly experienced enough to match a seasoned fighter in a deathmatch. Logically, it should all come down to Saber but it seems that this episode is setting up her death flags, specifically the scene in which she asks Shirou and Rin to promise to come back in one piece.

On the whole, this episode served mostly as a breather for what promises to be an exciting conclusion to the series. There were plenty of light-hearted moments and a good amount of comic relief at Rin’s expense but there were also some hints of backstory too. Shirou saw some of Rin’s older memories and a few stand out; a funeral, presumably for Rin’s father; a priest threatening Rin with a dagger but most importantly, the first time Rin saw Shirou. We don’t know for sure that that was the first time, but it would be cuter if it was, so now it is. It tells us that what Rin noticed about Shirou first wasn’t his looks (clearly) or his sharp wit (also, clearly) but his determination – Shirou obviously didn’t recognize himself (or did and was just rubbing it in), but there is something oddly innocent about that being the moment Rin acknowledged Shirou’s existence, as opposed to a moment of flashy brilliance (which Shirou wasn’t likely to produce in any case). The other two scenes are enough to stir some curiosity but seem unlikely to really affect things, though it is odd that we have not seen a sign of Rin’s mother thus far. Perhaps being disabled keeps her restricted to her room or, more likely, she too passed away shortly after her husband. Either way, the Grail cares not; even as the protagonists are spending quality time with each other, the Grail is being summoned and time is running out and only next week will tell what direction this is all going to go.


24 thoughts on “[Anime] Fate/Stay Night: Unlimited Blade Works – Winter Days, A Long Way Home (S2E10)

  1. So… if you see anything on the internet akin to “lol dolphins” or “jackhammer” about this scene, then let me tell you why.

    Obviously, this is the first time where Shirou and Rin consummate their relationship in the VN. In the Nasuverse, bodily fluids can exchange mana and while using blood is possible, sex needed to happen because this is the VN industry. Now if you weren’t already aware, Nasu is HORRIBLY, INFAMOUSLY, AND TERRIBLY incompetent at writing sex scenes.(granted, there is a rumor that he merely outsourced those scenes to some amateur writer) At best these scenes are an absolute joke and at worst mind bleach material. In some of the earlier translations, “jackhammer” was used as a metaphor to describe Shirou’s roughness to Rin. It was so horrible and funny that whenever Shirou and Rin’s relationship was ever brought up, jackhammer was involved, like so:

    Now as for dolphins, this goes back to the DEEN anime and the Realtua Nua re-release of Fate/Stay Night. In the Realtua Nua release, all the sex scenes were discarded and replaced with some nonsense explanation, while still keeping the intimate atmosphere. So when DEEN Fate/Stay Night came out, people wondered how they were going to show Shirou and Saber doing the thing. We got a bad CGI dragon literally out of nowhere coming in and eating Shirou’s arm. THAT was made fun of for quite awhile. Fast Forward to the DEEN Unlimited Blade Works movie and instead of, say a fade to black at sexy times, there was this weird interlude of just dolphins swimming around, as if Rin’s inner self is a dolphin.

    Now it’s time for me to nerd out and explain why this magic crest scene breaks canon. Magic crests are both the inheritance and like a major organ for practicing magic. The whole point of keeping the bloodline pure is because the Magic crests are transferred in an extremely painful process, circuit by circuit, and requires a large amount time for the magus’s body to adjust, even with the use of pills and other potions to suppress the body’s natural rejection of it. It has to be a descendant who receives the magic crest, otherwise you die if you try to take on another magus’s magic crest. So this scene where Rin just gave Shirou a part of her magic crest with no major consequence breaks the rules of the Nasuverse.


  2. One of the few changes I actually liked by Ufotable was that they actually improved Sabers characterization, at least as far as the second cour goes (though they dropped the ball in a few moments in the first season, which of course has a negative effect on her scenes in the second cour) and gave her arc a bit more depth than in did in the VN, where it felt a lot more just brushed upon. Though as you say, I definitely agree that it feels as if the show sometimes isn’t sure if it wants to be standalone or be part of the whole, and that causes some problems.

    And yeah, that would be the first time Rin saw Shirou. Actually if you’ve been reading the VN, it’s mentioned in the equivalent scene of the prologue episode too, where she saves Shirou IIRC.
    Shirou being Shirou, doesn’t remember when he does things like that, and although we saw it closer up he’d be seeing through Rin’s eyes so he wouldn’t be able to make out his features.
    Rin’s mother passed away shortly after her father did.

    For Shirou’s fighting capability relative to Gilgamesh, it just needs to be kept in mind that as they have mentioned, Gilgamesh’s hand to hand swordfightng skill is not as impressive as other servants, and Shirou gains some of the skills and strength of the weapons original wielder when projecting.


    • To save you the search/ re-read (can you even reread the prologue once you’re finished it? I haven’t played F/SN for ages), here’s the relevant passage- Rin’s narration as she recognizes the interloper stabbed by Lancer as Shirou:
      “And I recall one red-tinted day after school, a long time ago.
      …A distant sunset.
      Someone always running alone.
      And a boring girl, staring at that from far away.”

      By the way, how far into the VN are you at this point?


  3. The priest was not threatening her, it was Kirei giving Rin an Azoth Sword. It is a dagger used for ceremonies and teachers normally give one to their pupils at their coming of age. Kirei, who studied under Rin’s father, received one from him and gave the same dagger to Rin at his funeral. If you look at the flashback of when Kirei kills her father, you can see that it is the same one. “Here Rin, it’s the dagger your father gave me when I finished my studies, which I now entrust you with. By the way, I stabbed him in the back with this very weapon.” Obviously, he didn’t say the last part aloud.


  4. You mentioned that Unlimited Blade Works is supposed to stand on its own, but I dont think thats the case because it feels as though they intended it to be the sequel to Fate/Zero. I know Fate fans are going to hate me for saying this, but this anime simply cant stand on its own, it needs either the Fate route or Fate/Zero but considering how this was advertised and more importantly parts of the story you wouldnt understand without Fate/Zero, I think that this anime should be watched after Fate/Zero. Lets take Saber for example, without Zero she misses a lot of her characterization and we have very little reason to care for her. However with Zero knowledge in hand these last 2 episodes are very impactful and feel a lot less forced, we know her motivations and her personality and we know how she thought of her people. The conflict between her and Archer as well as the stuff Archer was saying to Shirou as the camera focused on Saber means a lot more once you know Saber’s ideals and motivations. The scene in the shed could have a double meaning if you had watched Zero, you could’ve interpreted the way Re-Reads did or it would have the meaning I wont get into because of Zero spoilers. The conclusion that we get to with her character ultimately feels more fulfilling with Zero, as well as a very sad one considering she fought in an entire Holy Grail War to obtain something that we now know she cant use. But even without Saber there is another character who we would understand a lot more with Zero, and that character is Illya. While its very easy to care for her death, the backstory she got has more meaning if you know her from Fate/Zero and the change from then to now. We also have the specter that appeared to Illya in her backstory, that whole bit is just confusing without context from Fate/Zero and cant be explained without spoiling Fate/Zero. This is why I dont agree with the notion that the show should necessarily stand on its own, even if it isnt a numbered title and why I dont agree with people when they say the anime-only order should be Unlimited Blade Works -> Heavens Feel -> Fate/Zero


    • Wow, that’s quite a rant.

      I’m just going to say that he can’t watch Zero without spoiling the VN, so relax. And please, no spoilers. We know what happens, he doesn’t. Sit back and relax and then make these comments after he’s had the chance to see everything on his own.


      • Yeah… I get really worked up when talking about the Fate Series order. I hope that didnt come across as hostile to the reviewer.

        I avoided spoilers to the best of my ability there, I hope none slipped through. I made that comment more or less just to point out that the anime shouldnt be considered on its own, as well as me just having personal grief with the Fate fans who say this anime should be first in the anime-only order.


    • It works both ways, F/Z has just as many if not more parts that are pure nonsense if you watch that one first, many things that look like plot-holes if you don’t know anything about F/SN and can totally take you out of the experience. It has a bunch of unfinished character arcs that don’t pay-off in UBW and will just leave people feeling unfulfilled.

      F/Z can feel also a bit mean spirited for no reason if you are to watch it on it’s own to be honest, sure a lot of anime fans like the edgyness of it but it can be a big turn off for some people.


      • No, no it doesnt. The only part that is nonsensical without Fate/Stay Night is the ending, and you’d have to wait for Heavens Feel (Which might I remind you isnt out and wont be out for atleast a year, maybe more considering how many projects Ufotable is working on.) to understand that. Keep in mind i’m not going to be talking about the Visual Novel, I already think that the VN -> Fate/Zero should be the order but in terms of anime-only I think it should be Zero -> UBW. Sure a bunch of character arcs go unfinished, but that tends to be the case with a lot of shows that have sequels, otherwise theres no point of a sequel because every character and plot line has been resolved.

        “edgyness”, if only there was a word for what Fate/Zero intentonally achieved to be. Oh, i’ll make it and coin the defintion. *Nihilistic*: the belief that traditional morals, ideas, beliefs, etc., have no worth or value. What about Fate/Zero is edgy anyways? The worst I can think about is team Caster, but thats it. No one I have seen has been turned off by the “edginess” of Fate/Zero, at worse its a show that you cant watch if you have a weak stomach or atleast no the first half. I think you need to read some of the comments in this before you throw out that word some more: http://www.reddit.com/r/anime/comments/33jwhi/what_exactly_is_wrong_with_a_show_being_edgy/

        The only reason people call Fate/Zero edgy is because it takes itself more seriously. You’re willing to overlook the many cutting edge moments of Fate/Stay Night (Church scene in the Fate route, entirety of Heavens Feel, the character that is Archer, the Psychopathic loli, Gilgamesh the laughably evil villain) but then try to call out Fate/Zero for being edgy. If anything Fate/Zero takes a character from Fate/Stay Night and makes him into a more respectable antagonist (Gilgamesh).


        • I myself like some of that “edgyness” I didn’t use it as a purely negative term, I pointed out that the problem is that it feels it’s there for the sake of shock value, especially at the beginning, if you don’t have the context of F/SN. I think knowing F/SN actually makes F/Z a lot more cruel but it’s focused, with a purpose.

          Many things feel a lot more mean spirited and characters come across as bigger assholes than they really are, even Tokiomi can be seen as a much more awful person because some things are never made clear. Same with Kiritsugu which you only really understand much later(even “little” things he does make you think he’s just a dick) and the relationship between some characters feels completly out of place, Kirei’s antagonistic attitude towards a certain someone takes way to long to understand if you are only watching F/Z. That’s what can be bothersome, the pointlessness to all the bad things that happen. I could mention a lot more examples but those are heavy spoilers.

          To make it very clear, I don’t mean that the character’s actions seem pointless so your argument about nihilism is misplaced, but that the things that we see happen don’t seem to have a narrative purpose from the perspective of a viewer that doesn’t know anything about FSN.

          And a lot of people rightfully don’t like the beginning of F/Z, many drop it or only continue because they are told it gets better by the community as a whole.


          • None of Fate/Zero feels like the “edgyness” is shock value though, the only example I can see is *that* team, and I dont see how having watched Fate/Stay Night makes it any different.

            Again, I disagree with the whole notion that people are going to get turned away because of the mean spirited atmosphere of Fate/Zero. Its like saying that people will get turned away from Fate/Stay Night because of the highschool setting at the beginning, sure it might be true but thats not necessarily and argument that you can use. Kirei’s antagonistic attitude makes sense straight off the get go, in fact that explain it in episode one when they contrast the two characters. Its because he wants to understand that person’s goals and motivations so that he could then realize his own answer.

            Do you have any examples? I’ve read a lot of reviews about Fate/Zero from people who had only seen Fate/Zero, yet I had never seen this as a complaint.

            The same thing happens with Fate/Stay Night with the two back to back 1 hour long episodes of character introductions and exposition, and the same thing with the Visual Novels and the entirety of the Fate route. It doesnt matter where they enter the Fate series, that will always be a problem.


            • A lot of people do get turned off because of the highschool setting in F/SN, those might be better suited to start with F/Z but then they are more likely to be the ones that hate the change to F/SN so it doesn’t matter.

              Kirei just gets a bit of exposition and it makes about as much sense as Saber’s character does here, later he gets better but initally he didn’t even know his true nature, noone did.

              I do agree there’s a problem no matter how you start, so I don’t see why starting with the one that spoils important stuff is better in any way, not only do you enjoy F/SN much less you also enjoy F/Z less, the entire first episode is completly reliant in dramatic irony to carry it through. Hell, even small things like Waver’s class scene are read completly differently by people familiar with the setting than those who aren’t.

              F/Z has an entire episode that is completly useless to new people while UBW has yet to make such a thing. Even having read the VN that episode was mediocre at best but that’s a different issue.

              I’m certain you’ve seen a lot of people drop it right at the beginning just because it’s boring/confusing. UBW first episodes are much more inviting. The worst part is that if you drop F/Z in the first episode and decide to go for FSN instead you already got spoiled anyway, a friend did that and stopped caring about the franchise at all when he realized what he had spoiled.

              You want confusing and nonsensical, try those that can’t distinguish Kiritsugu, Kirei and Kariya in the first episode because I’ve seen plenty of those. That sort of confusing shit won’t happen if you start with UBW.


              • And I think people arent likely to get turned away from Fate/Zero because of its atmosphere anyways, no matter how you look at it we cant really use either as an argument.

                What bits of exposition are you talking about? I disagree that any of the parts with Kirei especially dont make sense without Fate/Stay Night, Gen Urobuchi made sure to focus on him and even considers him the MC of Fate/Zero. You’re not supposed to be able to know his true nature straight from the get-go as he himself is still realizing it. They give subtle hints to it as the story progresses and as he develops as a character.

                You also ruin Fate/Zero a lot by starting with UBW as well as UBW, we can argue this back and forth here. I however, believe that you ruin Fate/Zero less by starting with it on all accounts for reasons I mentioned in the top post. In fact i’d say that having seen Fate/Zero it enhances your experience with UBW (You have to remember we’re talking solely about UBW, not HF, not Fate. And we’re talking about the anime, not the VN) since you know all the characters and the developments of returning characters make more sense.

                That episode isnt completely useless, it serves to further develop Kariya who was absent from the show for awhile up until that point as well as reveal to Aoi what exactly is going on in the Holy Grail War.

                I have seen people do it to both equally. Fate/Stay Night may seem more inviting at first, but i’ve seen people get very turned off once they hit episode 1 only to realize its another 45 minute episode just redoing the same couple of days they already saw through Rin’s perspective and then dropped the show there. Not to mention it centers around Shirou who people just hate the look of for whatever reason.

                That will happen with any anime that has character designs like that, and then by like the 2nd episode people learn to differentiate all of them. Tokiomi is the man in the red suit, Kirei is the priest, Kiritsugu is Kirei (This one I will give you, people cant tell the difference between the two or rather they know the difference but confuse the names), and Kariya is the bug man.


  5. Your complaints about Saber are pretty spot on IMO. In the VN, she was sidelined because her part was already done in Fate and it was Archer and Shirou’s time to shine. The anime, for some reason, seems to be going with a weird mixture by stubbornly trying to stick her back-story into S2 while ignoring her throughout S1. The route system of the VN makes it hard for UBW to translate to anime.

    Anyway, love your analysis and hope you enjoy the remaining few episodes.


  6. This is the first episode that disappointed me out of UBW, at least to this extent, it felt so safe and and full of pandering, they should have cut their losses with Saber rather than giving her that little thing that is completly nonsensical given context the of what we’ve seen. Granted, they did have her say that it might be nonsense to Shirou(and the viewer) and it doesn’t break her character at all.

    That Saber moment bothered you and with good reason, Saber is pretty much the face of the franchise thus she has a lot of fans, so it feels they did this to satisfy them more than actual care for her character.

    “In the end however, there is no clearer sign of the strength of their bond”

    Yup, it’s the same thing with Rin and Shirou, they didn’t want to put in the sex scene because often times anime fans loose it when that sort of thing happens but still wanted to have their cake and eat it anyway, so the go for that sorry excuse of an intimate scene AND the fanservice without genuinely pushing their development, breaking the lore while they’re at it. Great job.

    It was kinda funny and we got to see some stuff about RIn’s past, even if much of it was without context, so I didn’t hate the episode but it was far below what I’ve come to expect. It’s one of the most forgettable episodes when it could and should have been one of the most memorable ones, even if it had been for the wrong reasons they could have tried, instead they played it as safe as they possibly could.

    Get hype though, good stuff is on the way.


  7. All the nerding out has been done. I got nothing to add.

    “it is odd that we have not seen a sign of Rin’s mother thus far.”
    Nobody ever has a mother Nasu’s stories, I think he thinks humans reproduce with spores or mitosis (this theory also explains the writing in porn scenes).
    Rin’s mother appears a bit in Zero but it’s not written by Nasu so still no.


      • Yeah, him and Azaka do, but she only appears in a flashback and looks very generic. So basically a background character. Theres also another character in Kara no Kyoukai Mirai Fukuin who has a mother, but that would be a spoiler.


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